Provenance LabLeuphana University Lüneburg
Team
Dr. Bárbara Romero Ferrón

Dr. Bárbara Romero Ferrón

Research Associate (Wissenschaftliche Mitarbeiterin)

Role

Research Associate (Wissenschaftliche Mitarbeiterin), Provenance Lab, Leuphana University. Also Senior Researcher at iArtHisLab, University of Málaga, and Associate Director of DAHSS (Digital Arts and Humanistic and Social Sciences), University of Málaga.

Biography

Bárbara Romero Ferrón is a digital art historian whose research bridges provenance and exhibition studies, complex systems theory, and network analysis. She applies computational methodologies and an intersectional lens to understand how social, political, and economic relations shape culture. She joined the Provenance Lab in August 2020 and works on the Modern Migrants project.

Education

  • PhD (2024) — CulturePlex Lab, Western University, Canada. Dissertation: "Exploring Spanish Art through Exhibition Data from 1800 to 1939"
  • MA in Art History (2017) — University of Málaga, Spain
  • BA in Art History (2015) — University of Málaga, Spain

Career

  • Research Associate, Provenance Lab, Leuphana University (since August 2020)
  • Senior Researcher, iArtHisLab, University of Málaga (current)
  • Associate Director, DAHSS, University of Málaga (since 2019)
  • Lecturer, Department of Languages and Cultures, Western University (2019–2024)
  • Getty Research Institute Graduate Fellow (2022–2023)
  • Research visit, Rijksmuseum, Netherlands (2022)
  • Education/conservation roles at Colección Museo Ruso, Centre Pompidou, Revello del Toro Museum (Málaga)

Research Interests

  • Knowledge graphs and network analysis
  • Exhibition studies (19th-century Spanish art exhibitions as complex systems)
  • Complex systems theory applied to cultural phenomena
  • Computational methodologies in art history
  • Provenance studies
  • Data visualization (Gephi, Python)

Current Projects

  1. Modern Migrants: Paintings from Europe in US Museums (2019–2027)
  2. Catalogue of Living Saints: Counter-Reformation Female Sanctity (2024–2028)
  3. Study and Interpretation of Exhibitions as Complex Cultural System (2021–2025)

Contact