Provenance LabLeuphana University Lüneburg

Publications

Forthcoming

Provenance as Accountability: Transparent and Verifiable Cataloguing for the Digital Age

  • Authors: Lynn Rother, Max Koss, Fabio Mariani
  • In: Elgar Research Handbook on Art, Culture, Heritage and Law
  • Publisher: Edward Elgar Publishing
  • Expected: 2026

What's in a Name? Measuring the Potential of Provenance Data for Art Market Studies and the History of Collecting

  • Authors: Max Koss, Bárbara Romero Ferrón, Lynn Rother
  • In: Hand and Glove: Art Market Studies and the History of Collecting, ed. Blair Brooks and Natasha Degen
  • Publisher: Brill

The Politics of Custody and Ownership: Provenance Events as a Modeling Stress Test

  • Authors: Lynn Rother, Bárbara Romero Ferrón, Max Koss
  • In: Kunst und Digitaler Humanismus, ed. Hanna Brinkmann and Anna Frasca-Rath
  • Publisher: Springer

2025

PROV-A, a Web-Based Tool for Structuring Provenance as Linked Open Data


2024

People Information in Provenance Data: Biographical Entity Linking with Wikidata and ULAN

Interpreting Strings, Weaving Threads: Structuring Provenance Data with AI

  • Authors: Lynn Rother, Max Koss, Fabio Mariani
  • In: Sammlungsforschung im Digitalen Zeitalter: Chancen, Herausforderungen und Grenzen, ed. Stefan Alschner and Katharina Günther
  • Series: Kulturen des Sammelns: Akteure, Objekte, Medien, vol. 6
  • Publisher: Wallstein Verlag, Göttingen, pp. 93–103
  • DOI: 10.15499/kds-005-008
  • URL: wallstein-open-library.de/9783835356153-008.html
  • Open Access: Yes

The Future of Provenance: Digital Cataloguing as Reparative Practice

Verknüpfte Daten: Die Zukunft der Provenienzforschung

  • Authors: Lynn Rother, Fabio Mariani, Max Koss
  • Journal: Museumskunde: Fachzeitschrift für die Museumswelt, vol. 89, no. 1/2, pp. 26–31
  • Date: December 5, 2024
  • Language: German

East Germany Comes to New York: The 1993 SoHo Venture of Leipzig's EIGEN + ART

Towards Wikidata: How to Transform Provenance with AI


2023

Hidden Value: Provenance as a Source for Economic and Social History

Teaching Provenance to AI: An Annotation Scheme for Museum Data

Introducing VISU: Vagueness, Incompleteness, Subjectivity, and Uncertainty in Art Provenance Data

  • Author: Fabio Mariani
  • In: Proceedings of the Workshop on Computational Methods in the Humanities 2022 (Lausanne, June 9–10, 2022), ed. Yannick Rochat, Coline Métrailler, Michael Piotrowski
  • Series: CEUR Workshop Proceedings, vol. 3602, pp. 63–84
  • URL: ceur-ws.org/Vol-3602/paper5.pdf
  • Open Access: Yes

Linking (In)Completeness: A Collaborative Approach to Representing People in Art Provenance Data


2022

Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums

The Expert in the Loop: Developing a Provenance Linked Open Data Management Platform

Uncanny Provenance: Art History and its Double


2020

Interview: Brigitta Milde in Conversation with Lynn Rother on Carlfriedrich Claus


2017

Kunst durch Kredit: Die Berliner Museen und ihre Erwerbungen von der Dresdner Bank 1935

  • Author: Lynn Rother
  • Publisher: De Gruyter, Berlin/Boston
  • ISBN: 978-3-11-049452-5
  • DOI: 10.1515/9783110496093
  • Language: German
  • Description: Award-winning doctoral monograph examining the largest art deal of the Nazi era — the Berlin State Museums' 1935 acquisition of 4,400+ works for 7.5 million Reichsmarks from the Dresdner Bank.